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Culturally relevant and unsettling, Finn's film makes for a wild and devilish ride. His characterisation is strong, as is his dialogue, and we believe and sympathise with Rose even if we're unsure whether or not we can trust her version of reality. They don't here, as they intensify the paranoid state Rose is in. Finn makes excellent use of jump-scares- which often feel like a cheap way to make viewers jolt. Although the ending is underwhelming, the journey there is an engaging, sinister one. The film is suspenseful, having a heady atmosphere of dread throughout. Traumatic effects- such as hallucinations, paranoia and guilt- are interwoven cleverly into Finn's narrative, adding to the psychological horror therein. Although comparisons to David Robert Mitchell's 'It Follows' are inevitable, Parker's handling of the film's thesis feels fresh and innovative. Finn's narrative contends that trauma effects every aspect of one's life, and can be passed onto others through one's actions. An unnerving horror, Parker Finn's 'Smile' is a creepy examination of the lingering effects of trauma. Afterwards, bizarre events convince Rose that the entity is now stalking her and that she is its next victim.
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Suddenly, she becomes calm, smiling unnaturally, before slitting her own throat. As Rose talks to Laura, the girl gets increasingly frightened, claiming an unseen entity is about to kill her. After witnessing the brutal suicide of her professor, she seems to be suffering from extreme post-traumatic stress disorder. One day, Laura, a young student, is brought in for observation. Rose Cotter is a therapist in an emergency psychiatric ward.